1Your reference images
2Session
Load at least one reference image to start.
timed figure-drawing practice with your own reference images
Drop in a folder of references, pick an interval or a class-mode warm-up ladder, and draw against the clock with a countdown ring, an end-of-pose chime, and one-tap mirror and value tools. Private and offline — your images never leave your device.
Load at least one reference image to start.
Gesture drawing is the practice of capturing the action, weight, and rhythm of a subject in a small number of fast, decisive marks — usually a figure, but the same approach works for animals, hands, and faces. The goal is not a finished, accurate rendering; it is to find the line of action — the single sweeping curve that describes what the pose is doing — before fussing over contour or detail. Most art instructors treat it as the warm-up that everything else is built on, the drawing equivalent of running scales.
The timer is what makes it work. Given thirty seconds, you cannot draw eyelashes; you are forced to commit to the big shapes, the tilt of the shoulders against the hips, the flow from head to foot. That pressure is the whole point — it trains your hand and eye to prioritise. As you warm up, longer poses let you layer structure and proportion on top of that confident gesture. A class-mode ladder — a run of 30-second poses, then a few minutes, then a long pose — is the format life-drawing sessions have used for a century, because it moves you from loose to considered in one sitting.
This tool is deliberately small and quiet: a clean full-screen player, a countdown ring, a chime, and the two image tools artists actually reach for — a horizontal mirror to catch proportion errors, and a grayscale toggle for value studies. It does not bundle a reference library, because the best references are the ones you choose: your own photos, a pack you bought, or shots of your own model. They stay on your device the entire time.
Most online gesture-drawing timers ship a fixed gallery of figure photos and route you through them. That is convenient on day one, but it has real downsides: you are always drawing the same handful of models, you cannot study the specific subject you care about, and you are relying on someone else's licensing for the photos you spend hours copying. By design, this timer has no library. You bring the images, so you can run a session on dynamic sports poses one day and quiet seated portraits the next, on hands when hands are your weakness, or on your own reference shoots when you are developing a piece.
It is also genuinely private. The files you choose are opened directly by your browser and shown from memory — they are never sent anywhere, there is no account, and nothing is stored once you close the tab. For artists working from personal reference, model photos, or unpublished work, that matters. The trade-off is that you re-pick your images each visit, which browsers require for security; your session settings, though, are remembered.
Start every session with at least a few 30-second poses even if you intend to draw long. The short poses reset your instinct to noodle; by the time you reach a five-minute pose you will lay in the gesture first and the structure second, which is the right order. Class mode's ladder exists precisely to enforce this — resist the urge to skip the warm-up.
Use the mirror often. Flipping a reference horizontally is the oldest trick for spotting a drawing that has drifted out of proportion; your eye re-reads the flipped image as new and the errors jump out. If you are studying light and form rather than line, switch on grayscale so you are matching values instead of being distracted by colour.
Draw bigger and looser than feels comfortable, and do not lift your pencil to erase during a timed pose — there is no time, and that is the lesson. If a pose length consistently feels rushed, lengthen it by ten or twenty seconds rather than abandoning the timer; the constraint only helps when it is just past comfortable. Aim for short, frequent sessions over rare marathons: ten minutes of gesture most days will move your drawing faster than a three-hour session once a week.
No. The images you pick are read straight from your device and shown locally in the browser using object URLs. Nothing is sent to any server, there is no account, and no copy of your references is stored anywhere — when you close or refresh the page, the loaded images are simply released.
You supply them. The timer does not bundle a built-in library of figure references. Use your own photos, a reference pack you bought, your model's photos, or any folder of images on your device. This keeps the tool private, copyright-respecting, and useful for whatever subject you are studying — figures, hands, faces, animals, landscapes, or still life.
For privacy and security, a web page cannot silently re-open files from your device after a reload — you have to pick them again each visit. That is a browser rule, not a limitation we chose. Your session settings (interval, ladder, order, sound) are remembered, but the images themselves are intentionally not retained.
Class mode mirrors how a life-drawing class is run: it starts with several short poses to loosen up, then steps up to longer ones. The ladder is a list of segments, each set to a number of poses at a given length — for example four 30-second poses, then four 1-minute, then two 2-minute, then a 5-minute. You can edit every segment or load a quick preset, and the player walks through them in order, labelling which segment you are in.
Yes. In the player, tap the flip button (or press F) to mirror the reference horizontally — a classic trick for catching proportion errors — and tap the value button (or press G) to drop it to grayscale for a value study. Both toggles stay on across poses until you turn them off, and neither changes your original file.
Yes. The layout is responsive and the player fills the screen on phones, tablets, and desktops. On a tablet propped next to your drawing surface it works much like a dedicated pose-timer app, and you can tap the fullscreen button to hide the browser chrome.
It plays a short chime when each pose ends so you can keep your eyes on the page, and optionally a soft tick during the final three seconds as a warning. Both are generated in the browser with the Web Audio API — there is no audio file to download — and both can be turned off in Settings if you would rather work in silence.
While the player is open: Space pauses and resumes, the Left and Right arrows move to the previous and next pose, F flips the reference horizontally, G toggles grayscale, R restarts the current pose's timer, and Escape leaves the session.
No account and no cost. There is no sign-in and no email field. The tool is free, and everything you configure is saved only in this browser.
Once the page has loaded, the timer runs entirely offline — picking images, running poses, and the chime all work with no connection. You only need to be online to load the page initially or to visit other pages on OmniAppHub.